• video art
  • sound art
    • French Gulch
    • miner key. stereo mix
    • miner key. Apple Spatial mix
    • miner key-the People speak
    • invisible matters
  • music
    • south bend
    • flummOXed. dec. 2023-music compilation
    • albums 2023 and previous
  • images
  • commercial projects
  • about
    • bill orisich
  • periodic news.
  • contact

bill orisich/whoa! films

visual artist, sound artist, musician

  • video art
  • sound art
    • French Gulch
    • miner key. stereo mix
    • miner key. Apple Spatial mix
    • miner key-the People speak
    • invisible matters
  • music
    • south bend
    • flummOXed. dec. 2023-music compilation
    • albums 2023 and previous
  • images
  • commercial projects
  • about
    • bill orisich
  • periodic news.
  • contact

bill orisich. video art projects

French Gulch. fall 2024

for the birds…

for the birds. music/visuals: bill orisich; voice/sax: bill head. For the Birds originated as a music/sound design piece created during the pandemic and throughout quarantine and is part of a new album entitled sequestered. The work sets up a visual riddle teasing the meaning of its title with what has been described as “nature’s most eloquent expression of beauty, joy and freedom”. Bird watchers take delight in spotting and identifying species and making lists. To see, to name is to know - transforming strangeness into familiarity and providing a sense of comfort and security. For the Birds explores the need to know in a time of uncertainty and high anxiety. Included in flux projects virtual art series 2020.

 

ground. loop.

ground. loop.

the main show of a 4 channel video/sound design installation, premiered at Whitespace gallery jan 13 2018. by bill orisich & benita carr
participating artists: Dennis Coburn, Debra Hiers, poetry; Shana Robbins and Marianne, performance; Tre McClendon, tap; Tera Buerkle, Jamel Morris, Shana Cohen, vocals.

when I whistle...

when I whistle...

a site specific video installation at the Swan House of the Atlanta History Center. by Bill Orisich and Benita Carr. Featuring Blake Dalton, Adron, Deidra Lynn Currie.

when I whistle... live documentation

when i whistle-live documentation

this piece captures a segment of the live element of the installation at the Swan House of the Atlanta History Center Jan 14th and Feb 11th, 2016. Live performers: Blake Dalton, Marymay Impastato, Dennis Coburn and Lance Haugan.

there's no place like... bill orisich and benita carr explore the meaning of family/home. presented at Agnes Scott College Gallery as part of the Groundstory exhibition.

there's no place like 2.png
there's no place like 3.png
there's no place like
there's no place like 2.png there's no place like 3.png
 

horse drawn piano.

horse drawn piano

documents the Horse Drawn Piano project at Flux 2013, a night of Art & Experimentation in Atlanta with 25,000 attendees. Horse Draw Piano is one of 16 projects selected for the event.

300D east/west

bill orisich, director, dp, editor, sound design. created as part of the "on the road" exhibit at Spruill Gallery, Atlanta. thinking about thinking

 

moon-shine. 

the beauty of the power of water as a catalyst for transformation through oxidation, or rusting. It is a microcosm of decay/creation in evolving forms. selected for screening at the H2O film on water exhibition, Newport Mill Gallery, New Hampshire. visuals/edit/sound:bill orisich
percussion:noah orisich

moon-shine

dissociation. part of the Hand-to-Hand project, a multi-year exhibit of artists interpretations of a week of the Iraq war, using hands as a metaphor. bill orisich, filmmaker, animator, sound design.

dissociation

 

all/most. locating links in time/space/events. bill orisich. filmmaker 

all-most

surface tension. multi-source video installation. external manifestations, possibly tension produced. by bill orisich & benita carr. Hair Exhibition. Tube Gallery, Atlanta.

surface-tension

day is done. gone the sun. 

by benita carr and bill orisich. an intimate family portrait of a woman and her children that suggests themes of desire, sacrifice and devotion.. presented at Whitespace gallery

day is done, gone the sun.

a physics intro. opening sequence to a series on physics. bill orisich, director, dp, editor, design

a physics intro

howard finster. man-of-vision. portrait of the folk artist Howard Finster. for Paradigm TV show. Atlanta

finster-vision

fall leaves. something to be desired. inspired by mtn biking in the mountains in the fall. music/video featuring mtn biking. shot in Breckenridge, CO. fall 2019 music: bill orisich, drums, synth, guitar, mix; bill head, sax. camera, edit: bill orisich drone: noah orisich

 

bill orisich. off-road unicycling

bill orisich, mountain unicycling

a brief portrait of the joys of off-road unicycling. shot,edited by bill orisich; music bill and noah orisich

 

ground loop. additional video from the installation, screen 1

shoes. ground. loop. prelude

one of 3 simultaneous videos as a prelude to ground. loop. a 4 channel video/sound design installation, premiered at Whitespace gallery jan 13 2018. by bill orisich & benita carr
participating artists: Dennis Coburn, Debra Hiers, poetry; Shana Robbins and Marianne, performance; Tre McClendon, tap; Tera Buerkle, Jamel Morris, Shana Cohen, vocals.

ground loop. additional video from the installation, screen 2

marianne contained. ground. loop. prelude

one of 3 simultaneous videos as a prelude to ground. loop. a 4 channel video/sound design installation, premiered at Whitespace gallery jan 13 2018. by bill orisich & benita carr
participating artists: Dennis Coburn, Debra Hiers, poetry; Shana Robbins and Marianne, performance; Tre McClendon, tap; Tera Buerkle, Jamel Morris, Shana Cohen, vocals.

 

triangulation. part of a trilogy on a sense of place. bill orisich, director, dp, editor

triangulation

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